She said during the livestream she wants to be an “active witness,” she talked frequently about how she has political disagreements with her parents but still loves them and listens to them, she atoned for her insensitive and politically incorrect comments in the past (“The whole world is keeping me accountable and I hope that we can keep each other accountable, with compassion”), and she wished everyone well, from Instagram-famous makeup artists who seemed a little too thirsty in their sudden proximity to celebrity to even Taylor Swift.
“Witness” isn’t just the name of her album, it’s a way of life. “I will never understand some of those things because of who I am,” but, “I can educate myself, and that’s what I’m trying to do along the way.” “I listened and I heard and I didn’t know,” she said during a podcast interview with McKesson, the activist. The Washington Post called her album “ half-woke.” During the live stream she almost like a convert, newly aware of social injustice and privilege, having faced blowback for controversies like wearing cornrows in her music video for the song “This Is How We Do” or making a joke referencing Britney Spears’ breakdown seen as insensitive to those with mental health problems. To anyone vaguely familiar with Katy’s politics, there was nothing particularly surprising – she’s aggressively earnest and compassionately liberal – but what struck me was the missionary zeal with which the former Christian singer takes her politics. There were plenty of political moments, like an interview with activist DeRay McKesson Saturday and a dinner last night that included guests Caitlyn Jenner, and CNN commentators Van Jones, Ana Navarro and Sally Kohn. I’ve found myself surprisingly captivated, tuning in throughout the weekend to watch her get her makeup done, be interviewed, and even sleep. Perry's insistence on delving deep into electronic dance doesn't play like a pop visionary charting new directions forward it seems anxious, as if she can sense her youth - and perhaps more importantly, her stardom among youth - slipping away.To promote her new album Witness, Katy Perry has been live streaming her life on YouTube 24 hours a day since Thursday from a home in Los Angeles. Instead, Witness is populated with busy, tuneless tracks that seemed designed to pulsate in the background of a regrettable night. So, Witness is a conceptual muddle but that incoherence could've been excused if there were hooks in either its grooves or melodies. Despite some sociological broad strokes, Perry generally keeps her focus personal - and usually romantic, although "Swish Swish" plays like a swipe at another superstar - a decision that, when married to aggressive EDM-pop, erodes whatever adult contemporary progress Perry made with Prism. These conflicting desires surface on a tune as effervescent as "Chained to the Rhythm" - the only track here that could be called that, although "Pendulum" comes close - and a song as somnolent as "Bigger Than Me," the second of two ballads on the record and the one that addresses the fallout of the 2016 presidential election. Arriving on the heels of Prism, a record littered with AAA crossover ballads, the dance-heavy Witness feels like a slide backwards into adolescence, even if the album is filled with songs where Perry attempts to address big cultural issues while walking a musical cutting edge. It also feels relentless and a shade desperate.
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Perhaps Perry shifted her approach after "Rise," the "Roar"-alike written for the 2016 Olympics that she also performed at that year's Democratic National Convention, failed to crack the Top Ten, perhaps she always planned to construct this album with electronic beats and synths, but Witness is so slick with synths it seems slippery.
Katy Perry achieved maturation with Prism, the 2013 album anchored on the self-empowerment anthem "Roar" and the club smash "Dark Horse." Considering how "Roar" scored the closing stages of Hillary Clinton's 2016 campaign, it would've seemed like a logical move for Perry to build upon its adult alternative affirmation but she's instead chosen to use "Dark Horse" as a blueprint for Witness, the long-awaited 2017 successor to Prism.
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